It is time to go with Crazy Monster
I love me some Crazy Monster.
It is time to go with Crazy Monster
I love me some Crazy Monster.
First, some relevant family history: my brother is 13 years older than I am. He is solely responsible for getting me into good music, inspiring and teaching me to play guitar, and taking me to my first concert. I was 15 in 1995 and just a sophomore in high school. By this point in my life he had already ignited my love for music and guitar; I was in a band and I was writing songs, but I had never been to a live music event. On the other hand, my brother was 28, seven years removed from a Cornell education that saw him end up with a business degree. After college he worked as a desk jockey for a few years at Chase before deciding that he had missed his calling in life to be a writer. Eventually he quit Chase and moved to Boston to pursue a Masters in writing at Emerson College.
Periodically I’d receive packages from him in the mail that contained magazine clippings and guitar tabs, cassettes with demo songs he’d been writing, etc., all kinds of stuff that 15-year-old-me thought was fantastic. At some point in late March I received one of these packages; one of the enclosed snips of paper was this:

As a 15 year old with few friends and no social life, it wasn’t difficult to clear my schedule.
April 14th, 1995 was Good Friday. He had driven home from Boston to celebrate the Easter holiday with the family. I was always especially happy when he would visit. He often came bearing musical inspiration and musical gifts (guitar strings, cassettes, picks, etc.). But what could possibly be so important that he made me reserve Holy Saturday? Friday night arrived and I went to bed, still completely in the dark about the plans for the next day. He woke me on Saturday around 10am and told me to get dressed and to meet him out front. I hastily threw on some clothes and grabbed a slice of toast as I ran out the front door to an idling car. “Get in!” he shouted through the drivers window, “We’ve got to get going!” I opened the door to that old teal Ford Escort and slid into the seat. Before I knew it we were on the road - destination: unknown, at least to me.
My memories of the trip itself are vague, but I remember that as a 15 year old, I didn’t know much about the roads besides “I’ve been in this car long enough to know I’m not in Rochester anymore.” I noticed signs indicating we were on the NYS Thruway, I-90, heading eastbound. “Where are we going? Where are you taking me?” I asked repeatedly. It may as well have been “Are we there yet? Are we there yet?” Surely I was driving him insane, but he was a rock and gave me no indication of what was in store. We continued driving east for quite a while. Hours and mile markers passed by. I was no travel buff, but I knew my geography, and I understood that heading east on I-90 would be sending us towards Albany, New York City, Boston, and other assorted points east. Eventually I noticed a sign indicating a major split in the roadway: keep left to continue towards Boston, keep right to head towards NYC. “This is it,” I thought to myself, “this should answer my questions.” Sure enough, and not entirely surprisingly, he kept to the left, continuing on I-90 towards Boston.

At this point it became pretty clear to me where we were headed. I had never been to Boston so that prospect alone was totally awesome. Soon though, my mind turned towards my mom, and home, and Easter, and “Holy shit! Tonight is the Easter Vigil at church. Mom’s gonna be so pissed if I’m not there!” I continued to beg him to tell me what was happening, but still, informational silence… that is, until we stopped for dinner at a rest stop on the Mass Pike between Worcester and Boston.
After scarfing down some McDonald’s, we returned to the car to continue our trip. We were close enough to Boston at this point that the car radio could pick up some FM stations. He had tuned into WFNX and just as I was buckling my seatbelt, I heard the DJ say it. “We’re gearing up for the big show tonight down at Axis; we’ll be on location. Slash’s Snakepit is in town! I hope you’ve got your tickets because this show is sold out!” Did I hear that correctly? My face must have lit up like a Christmas tree. I turned to him: confused, excited, sheepishly grinning.
Slash stood tall above all other influences on my music and guitar training (still does). My brother had weaned me on a steady diet of Guns N’ Roses as I was learning to play, and when that band imploded I discovered the first Slash’s Snakepit album after reading a review in Rolling Stone. As far as I was concerned, Jesus had already returned to earth: he let his hair grow wild, smoked cigarettes, shaved his chest, drank heavily, wore assless chaps and a tophat, he could fucking shred, and now… now I was only miles from the savior himself. As I begged my brother to tell me what was happening, he pulled two tickets out of his pocket. We were going to the show. I have no idea what happened between that moment and the moment we arrived on Lansdowne Street. I only remember pulling onto the street - a long row of bars on my left and the towering walls of Fenway Park on my right - and seeing tour vans parked in front of Axis. We parked somewhere nearby and made our way toward the club.
We were a bit early and had beaten the majority of the crowds; only a few people were standing outside the club waiting to get in. We stood at the end of the line and I don’t think I uttered a single syllable for a few minutes while I stood there and took everything in. This was all so new to me: my first time in a big city, my first time near a real baseball stadium, my first time standing outside a rock club, and ultimately, my first concert. Then I felt him tugging on my shirt. I looked over and he was pointing up the road… pointing at a group of people walking towards us. At such a great distance it’d be nearly impossible to identify any mere mortal, but what I saw standing in the middle of that group was no mere mortal. Rising above the head-line I saw a little black tower, a smokestack of sorts. Before I knew it, we had sacrificed our place in line and were walking towards the group. We met them half-way. There before me stood Slash’s Snakepit, including ex-Gunner Gilby Clarke, and the messiah himself, Slash.
Was I starstruck? You have no idea. I’m fairly certain I didn’t say a thing. I probably didn’t even look him in the eye. I mean, what are you supposed to do for royalty of this sort? Bow? Genuflect? All I know is that my brother slyly had pulled an index card and a sharpie from his pocket and handed it to Slash for an autograph. He signed the card, kept the sharpie, and continued walking towards the club. I stood there dumbfounded as my brother handed me the autograph. “What do I do with this?” I wondered. This belongs behind glass, perhaps behind an altar somewhere. He took it back from me and carefully put it in his back pocket. We ran back to the club and got back in line.
Eventually they opened the doors and let us in. I remember entering and being completely baffled by the whole scene. I’d never been inside a bar like this. If you’ve never seen Axis - it’s a truly tiny club. To think that just a few years prior Slash was performing for hundreds of thousands of people at festivals internationally, and now I was going to see him in a bar barely bigger than my garage - it was simply overwhelming. We pushed our way towards stage left, where Slash always stood, and took up a defensive position right at the front of the stage. I couldn’t believe this was really happening. If you had told me it was all a dream, I might have believed you. In fact, it WAS a dream; it was a dream come true.
The band came out, and they fucking rocked, and they rolled, and they grooved… but mostly they rocked. I distinctly remember them performing a cover of Magic Carpet Ride. Eric Dover (who I would also love a few years later as the singer for Imperial Drag) had a true rock voice and enough charisma to stand on stage and not be completely dwarfed by Slash. The band was clicking on all cylinders, but most of all, it was Slash. It was Slash standing right in front of me. It was Slash flinging sweat on me while he furiously strummed his Les Paul. It was Slash redefining, in an instant, what I defined to be cool. It was Slash setting the tone for the goals of the rest of my life.
After the show, we went back to my brothers apartment and I called home. Repentantly… “Mom, I’m in Boston. Sam took me to Boston to see a concert. It was amazing… sorry we missed the Mass. We’re driving home tomorrow, but I don’t think we’ll be back in time for dinner… I’m sorry.” (To this day I struggle with overcoming my Catholic Guilt. My mom is so dedicated to the church that I joke to people about how she is next in line to be the Pope.) It wasn’t until many years later that my mom confessed that she knew about the trip the whole time. The next morning, Easter, we drove back to Rochester. Along the way we heard the news about the Oklahoma City bombing. We got back to Rochester late Sunday afternoon, in time for Easter dinner, and the next day my brother packed his things and drove all the way back to Boston - ultimately he made two round trips to between Boston and Rochester in 4 days.
In 2008 I read Slash’s autobiography. He talks about how that first tour with Snakepit was an almost therapeutic experience for him. After dealing with the stresses of touring arenas and stadiums while a member of GN’R, and putting up with Axl’s bullshit night after night, he described the Snakepit tour as a return to what he loved most about being a musician: the experience of standing on stage and performing for a roomful of people that genuinely care about the music itself, rather than all the pomp and excess associated with major tours. I couldn’t stop smiling while reading that chapter of the book. To know that Slash himself enjoyed my first concert just as much as I did is undoubtedly among the most satisfying emotions I’ve ever experienced.

8 year old The Mini Band guitarist Zoe Thomson working on Stratosphere by Stratovarius. (by leowestby)
Start it and I promise you won’t be able to look away. It’s less than 2 minutes long.
The best part of this video is seeing her smiling. She’s clearly having fun, and that’s what music is all about.
Back In The Saddle (by steelopus)
GPOYW
Oh crap, it’s Wednesday.
GPOYW
This old shot is my favorite self-portrait.
First recording session for The Ripper. Great direct tone from this thing.
After playing her for a week, it’s official: she’s a keeper and officially the newest member of my ever-expanding family.
Introducing the newest addition to my stable: 1978 Gibson Ripper. (Taken with Instagram at Rochester, NY)
It’s not enough to know that the body of your old guitar is made of spruce and maple: What’s the bridge made of? If it’s ebony, do you have the paperwork to show when and where that wood was harvested and when and where it was made into a bridge? Is the nut holding the strings at the guitar’s headstock bone, or could it be ivory? “Even if you have no knowledge—despite Herculean efforts to obtain it—that some piece of your guitar, no matter how small, was obtained illegally, you lose your guitar forever,” Prof. Thomas has written. “Oh, and you’ll be fined $250 for that false (or missing) information in your Lacey Act Import Declaration.”
This is just insane.
Listen. I’m all for environmental protection, but there are far more important things that our justice department needs to be worrying about than whether or not the bridge on my vintage Wandré guitar was illegally harvested when it was built in Italy in the 1950s.
Track:
Crossroads
Artist:
Cream
Album:
The Very Best Of Cream
90 plays
Cream - “Crossroads”
Guitar - Eric Clapton
I won’t get into loving him or hating him, because it doesn’t matter here, when a great band had God for a guitar player. Still electrifying after all this time.
In my humble opinion this is the greatest improvised guitar solo that’s ever been recorded - and it’s live.
Guitar Oscillations Captured with iPhone 4
by justkylevids
It’s an effect of the “rolling shutter” that the iPhone and most other consumer gadgets use. Richard Gaywood offered a decent summary of what’s going on last year when this effect was used on airplane propellers.
via TechCrunch
Totally awesome. I wonder how accurate the waves are. I’d guess they are quite close.
(via redcloud)
In which Slash unknowingly validates my post from March 7th.
Track:
Jelly 292
Artist:
Jimi Hendrix
Album:
Jimi Blues
40 plays
Jimi Hendrix - Jelly 292
6:25 for June 25th
If you’re a Hendrix fan, or a guitarist, or just a fan of the blues in general, you must own the Hendrix : blues album. It showcases Jimi’s most over-looked talent: blues guitar jamming.
This isn’t the best track on the album. It’s just a straight 12-bar blues progression and it takes a little while to warm up, but somewhere after the 2-minute mark, Jimi really lets her rip and reminds you why he was quite possibly the greatest rock guitarist in history.
Track:
The Blue
Artist:
David Gilmour
Album:
On An Island
Download 30 plays
David Gilmour - The Blue
5:26 for May 26th.
This song is actually fairly mediocre, that is… until the guitar solo kicks in at 2:49. Gilmour has rarely relied on effects in his playing, but in this case he’s created something pretty unique. It’s not that the Whammy pedal he used to create the long slow octave-slides has never been used before in this way, but he does it with more beauty and grace than I’ve ever heard.